Moreover, Spiekermann offered his services as a professor at the University of the Arts, Bremen. This record is a work in progress. Writing in 1987, Spiekermann gave these credits for Meta as originally designed for the Bundespost. Internationally renowned graphic designer, typographer and type designer. As the typeface would be used repeatedly in small sizes, for identification (rather than copy), require two different weights, and printed quickly on potentially poor paper stock, the brief called for a very legible, neutral, space-saving, and distinguishable (in regards to weight) typeface with special attention to producing unmistakable characters. Development began in February 1985[1] when Deutsche Bundespost approached Sedley Place Design, where Spiekermann was working at the time, and commissioned a comprehensive corporate design program. This page was last edited on 22 July 2020, at 01:52. He designed Fira Sans for Firefox OS 2013 version in collaboration with Carois Type Design. See more ideas about Erik, Typography, Font shop. Throughout […] Though the design may be familiar, Fira is … FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. FF Meta font is a part of the FF Meta Super Family. These include Imperial College London, The Weather Channel, Free Tibet, the television stations WSYR-TV, WIVT and WUTR in upstate New York, Herman Miller, Zimmer Holdings, Mozilla Corporation, Mozilla Foundation, Schaeffler Group and Fort Wayne International Airport. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. It originated from an unused commission for the Deutsche Bundespost(German Federal Post Office). Thank you for looking FF Meta font. We use our own and third-party cookies to personalize your experience and the promotions you see. FF Meta Serif: a text typeface by Erik Spiekermann and Christian Schwartz. He has been named Royal Designer for Industry by the Royal British Society of Arts and has received a Lifetime Achievement Award of the German Design Council. This is fancy humanist Sans Serif font. He has offices in Amsterdam, Berlin, Los Angeles, San Francisco and Singapore. 1993 FF MetaPlus released featuring some fine tuning of characters, spacing, and kerning along with the introducing three new weights: book, medium, and black in roman, italics, roman small caps, and roman small caps italics except for black which lacked small caps. We might even ask whether Fira has an unfair advantage over other fonts from 2013, because it’s built on the adamantium-plated skeleton of FF Meta, which Spiekermann has had 25+ years to polish (see also FF Meta Serif and FF Unit). It was subsequently released in 1991 by Spiekermann's company FontFont. [1] This version of FF Meta was created by re-digitizing the original outlines and digitizing them in Fontographer on a Macintosh, work which was done by Spiekermann’s interns Just van Rossum and Erik van Blokland between 1988-1989.[9]. Helvetica font is a popular typeface, but It quite boring and bland. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Free downloads and tech info on the Mac/Windows fonts. FF Meta is a humanist sans-serif typeface circle of relatives designed through Erik Spiekermann and released in 1991 via his FontFont library. Free downloads and tech info on the Mac/Windows fonts. By visiting our website or transacting with us, you agree to this. Neither is there mention of any dispute of authorship of FF Meta's design. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. By visiting our website or transacting with us, you agree to this. The typeface would have to be a sans-serif to match the client, narrow (but not condensed) to save space, feature strokes thick enough to withstand uneven printing but also light so that individual characters do not run together, contain clearly distinguishable glyphs for similarly shaped characters, versatile capitals and figures that are clear but not obtrusive, and curves, indentations, flares, and open joins to combat poor definition, optical illusions, and over-inking. Spiekermann currently holds a professorship at the Academy of Arts in Bremen, is vice president of the German Design council, president of the International Institute of Information Design, president of the International Society of Typographic Designers and a board member of ATypI. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Hi guys! FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. About FF Meta Font! Since 1991, when the first styles were published, the font has developed into a super family with numerous variants. [8] The typeface is particularly similar to Syntax, one of Spiekermann's candidate typefaces. FF Meta is a humanist sans-serif font designed by Erik Spiekermann, Oded Ezer, and Akaki Razmadze. Two of his typefaces, FF Meta and ITC Officina, are considered to be modern classics. German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. On the other hand, in compensation for the missing serifs, it … Original sketches, concept, and research for FF Meta by Erik Spiekermann and Michael Bitter at Sedley Place Design, Berlin. Erik Spiekermann is information architect, type designer (FF Real, FF Meta, ITC Officina, FF Info, FF Unit, LoType, Berliner Grotesk, and many corporate typefaces), and author of numerous books and articles on type & typography. Learn how and when to remove this template message, "Meta-morphosis: How FF MetaPlus Became FF Meta", "Post Mortem or how I once designed a typeface for Europe's biggest company", https://en.wikipedia.org/w/index.php?title=FF_Meta&oldid=968875165, Unified serif and sans-serif typeface families, Articles with dead external links from December 2019, Articles with permanently dead external links, Articles that may contain original research from March 2019, All articles that may contain original research, Creative Commons Attribution-ShareAlike License, Not fully closed bottom loop in binocular, Bend to the left at the top of the letters, Bend to the right at the top of the letter. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. After completing and digitizing the typesetting font, mockups were generated for Bundespost's new forms and publication. Deutsche Bundespost’s previous font? To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Our site uses technology that is not supported by your browser, so it may not work correctly. According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". Erik is an award-winning designer, typographer and entrepreneur. Spiekermann opted for narrow letters, to save space, and strokes that are thin enough to counter the tendency of characters to run into each other but thick enough to ensure legibility. Deutsche Bundespost chose not to implement the typeface, so in 1991 Spiekermann released it on his own. It would seem this could be solved by allowing the mounting bolts to be fixed (as they need to be), but create a sliding plate on the back of the numbers that allow for a bit of vertical adjustment. We must cite reputable third-party sources. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. Spiekermann is listed as design collaborator with Just van Rossum, Ole Schåafer, and Christian Schwartz. A very distinctive y where the two strokes do not join smoothly. Erik Spiekermann Erik Spiekermann is a typographer, type designer, and author. The FF Meta® design is a sans serif, humanist-style typeface that was designed by Erik Spiekermann for the West German Post Office (Deutsche Bundespost). Sometime before 2005 foreign language versions by. FF Meta is a sans serif typeface created by Erik Spiekermann and published by FontFont which was designed during nine years. He founded the multidisciplinary design consultancy MetaDesign in Berlin, 1979, opening a major San Francisco office in 1992, and another in Zurich. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen … In FF Meta, strokes have slightly varying width as the Spiekermann’s goal was that in small sizes, thinner strokes should not “drop out” but, on the contrary, become undistinguishable from the thicker ones. In 1989/90 he co-founded FontShop International with Joan Spiekermann and Neville Brody. It was designed for the German Post Office (Deutsche Bundespost), which hired Spiekermann to rethink the entire graphic design system for the organization—everything from order forms to the once ubiquitous telephone directories. [9] Bundespost, despite funding the project, continued instead to use a variety of different versions of Helvetica (before changing them to Frutiger). [2] It originated from an unused commission for the Deutsche Bundespost (German Federal Post Office). These are the Contemporary numbers, made from grey anodised aluminium, based on FF Meta Bold. According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". FF Meta Serif: a text typeface by Erik Spiekermann and Christian Schwartz. He founded MetaDesign (1979) and FontShop (1988). For access to motion picture film stills please contact the Film Study Center. Professor Erik Spiekermann is an internationally renowned type designer (FF Meta, ITC Officina, FF Info, FF Unit, Nokia Sans, Bosch Sans et al), as well as a prolific writer and creator of wayfinding systems worldwide. 10 comments tim. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. FF Meta is a humanist sans-serif typeface circle of relatives designed through Erik Spiekermann and released in 1991 via his FontFont library. For a wikipedia editor to contact Mr. Barney would constitute original research. Published by FontFont as part of the FF Meta Super Family. According to Spiekermann, FF Meta becomes intended to be a “complete antithesis of Helvetica”, which he located “dull and bland”. According to Spiekermann, FF Meta becomes intended to be a “complete antithesis of Helvetica”, which he located “dull and bland”. The FF Meta family, initially released as a commercial font in 1991, now comprises over sixty fonts. Please. What is the FF Meta® font? Sep 14, 2016 - Explore chuzwang's board "Erik Spiekermann" on Pinterest. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann. However, despite positive interest from the German Minister of Telecommunications among others,[9] Bundespost decided not to implement[1] the new exclusive typeface for fear it would "cause unrest". Slanted upper terminal on the top right of. Throughout […] In addition to these demands, to meet Bundespost's needs, the family would also contain three fonts: regular, regular italic, and bold. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. In 1984 the Deutsche Bundespost (West German post office) commissioned a typeface from Sedley Place Design, the office where Spiekermann worked. For licensing motion picture film footage it is advised to apply directly to the copyright holders. The basic shape of FF Meta is based on Renaissance Antiqua and has a corresponding, slight variation in the stroke width. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. More information is also available about the film collection and the Circulating Film and Video Library. According to the designer, FF Meta was intended to be a "complete antithesis of Helvetica" (the quintessential modern typeface), which he found "boring and bland." This is believed to promote legibility and make the letterforms more clearly different from one another. FF Meta font was created and published by Erik Spiekermann in 1991 from his FontFont library. [4] The University of Hull uses FF Meta Serif alongside FF Meta. A very readable typeface in smaller point sizes but also with enough detail to display in large point sizes. Erik Spiekermann, born 1947, studied History of Art and English in Berlin. [3], FF Meta has been adopted by numerous corporations and other organizations as a corporate typeface, for signage or in their logo. As you were known. If you have additional information or spotted an error, please send feedback to [email protected]. Erik Spiekermann’s visual identity and design work is an instantly recognizable part of the world’s visual landscape. [7] Whereas traditionally, typefaces are designed to be viewed beautifully large, the goal with this particular typeface was to produce a typeface which worked well for its primary application.[8]. On the other hand, in compensation for the missing serifs, it … FF Meta font is a part of the FF Meta Super Family.According to Spiekermann, The purpose of the FF Meta was to create a font that was opposite to the “Helvetica” font. Meta became hugely popular and is often referred to as the Helvetica of the 1990s. It originated from an unused commission for the Deutsche Bundespost (West German Post Office). 2007 A serif companion, entitled FF Meta Serif, was completed and released. According to the designer, FF Meta was intended to be a "complete antithesis of Helvetica" (the quintessential modern typeface), which he found "boring and bland." It originated from an unused commission for the Deutsche Bundespost (West German Post Office). Deutsche Bundespost chose not to implement the typeface, so in 1991 Spiekermann released it on his own. At this time Meta was called PT55 (for the regular weight) and PT75 (bold). FF Meta Designed by Erik Spiekermann, Oded Ezer and Akaki Razmadze in 1991. Throughout the 1990s, FF Meta was embraced by the international design community[2] with Spiekermann and E. M. Ginger writing that it had been dubiously praised as the Helvetica of the 1990s. Throughout his illustrious career as a designer and typographer, Erik Spiekermann has created dozens of commercial typefaces (FF Meta, FF MetaSerif, ITC Officina, FF Govan, FF Info, FF Unit, LoType, Berliner Grotesk) and many custom typefaces for world-renowned corporations. In FF Meta, strokes have slightly varying width as the Spiekermann’s goal was that in small sizes, thinner strokes should not “drop out” but, on the contrary, become undistinguishable from the thicker ones. 1991 FF Meta family released containing normal, normal small caps, and bold. Throughout the 1990s, FF Meta was embraced by the international design community with Spiekermann and E. M. Ginger writing that it had been dubiousl… Design of the completed alphabets by Gerry Barney and Mike Pratley at Sedley Place Design, London. The FF Meta® design is a sans serif, humanist-style typeface that was designed by Erik Spiekermann for the West German Post Office (Deutsche Bundespost). FF Meta is a humanist sans-serif font designed by Erik Spiekermann, Oded Ezer, and Akaki Razmadze. FF Meta was first called PT55, created for the West German Post Office in 1985. FF Meta font. Erik Spiekermann is art historian, information architect, type designer and author. FF Meta® is a wonderful typeface designed by Erik Spiekermann, the font family was released between 1991 and 1998. FF Meta, a sans serif font family created by German type designer Erik Spiekermann of FontFont. It was originally developed in 1986 as a commission for a corporate typeface for the Deutsche Bundespost (German Federal Post), but was never adopted for use. FF Meta, a sans serif font family created by German type designer Erik Spiekermann of FontFont. He is author, information architect, type designer (FF Meta, ITC Officina, FF Info, FF Unit, LoType, Berliner Grotesk and many corporate typefaces) and author of books and articles on type and typography. FF Meta Individual Styles from $59.00 Complete family of 60 fonts: $1,000.00 FF Meta was designed by Erik Spiekermann and published by FontFont. According to Spiekermann, The purpose of the FF Meta was to create a font that was opposite to the “ Helvetica” font. [5] The Government of Greece has used FF Meta Greek as the official government typeface since 2010.[6]. 1992 FF Meta 2 released as an expansion adding an italics weight, and small caps for bold. The complete FF Meta font family was designed between 1991 and 2010 by Erik Spiekermann, an internationally renowned graphic designer, typographer, type designer, and co-founder of foundry FontFont.The complete font family consists of 28 weights, ranging from Hairline to Black including … [10] Spiekermann wrote an article on the abandoned design for Baseline magazine in 1986. Erik Spiekermann, greek version by Panos Haratzopoulos Meta W01 Bold Italic German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. One of the most famous and popular typefaces of the FontFont library is Meta®, designed by Erik Spiekermann. It was subsequently released in 1991 by Spiekermann's company FontFont. Erik Spiekermann is information architect, type designer (FF Real, FF Meta, ITC Officina, FF Info, FF Unit, LoType, Berliner Grotesk, and many corporate typefaces), and author of numerous books and articles on type & typography. His two of his typefaces, FF Meta and ITC Officina, are considered to be modern classics. FF Meta was not designed with Herman Miller in mind, however. They required a neutral, space-saving typeface that would be legible when printed very small on a postage stamp but also appropriate for use on mailboxes and trucks. The complete FF Meta font family was designed between 1991 and 2010 by Erik Spiekermann, an internationally renowned graphic designer, typographer, type designer, and … Some of his seminal works such as commercial typefaces and corporate design programmes include Berliner Grotesk, ITC Officina Sans, Nokia Sans and FF Meta Serif. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991[1] through his FontFont library. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. 1998 FF Meta reorganized and released with the following families: FF Meta Normal, FF Meta Book, FF Meta Medium, FF Meta Bold and FF Meta Black, all in roman, italic, small caps and italic small caps, which came with their respective expert and lining figures. Years later, realizing that Bundespost and Sedley Place Design would never utilize the typeface, Spiekermann with his company MetaDesign decided to continue work on the typeface and eventually published it—along with other orphaned typefaces[11]—under his newly formed publishing label FontFont resulting in the release of FF Meta in 1991. “Information designer” is the phrase he feels best … A general feature of FF Meta is relatively open apertures, in contrast to the more folded-up appearance of Helvetica. FF Meta is a sans-serif typeface which can be found all around you. It seemed perfectly natural, then, for Adobe to call on Spiekermann to help breath life into some unfinished fonts from legendary Bauhaus design masters, lost for nearly 100 years. It comes in 28 weights inclunding italics, a wide range of OpenType features, a complete range of figure set options and multilingual support. Taking into account research done on six font families and the constraints of the brief, the characteristics of what would become FF Meta began to take shape. In 1979 he co-founded MetaDesign, followed by FontShop in 1989 (with Joan Spiekermann) and Edenspiekermann in 2002 (with Susanna Dulkinys). Throughout [ … ] ff Meta is relatively open apertures, in to. Serif font family created by Erik Spiekermann and released in 1991, when the first styles were published the! Typographer and type designer Erik Spiekermann and released in 1991 by Spiekermann 's typefaces. Called PT55, created for ff meta spiekermann Deutsche Bundespost ( West German Post Office ) ( West German Post )!, Los Angeles, San Francisco and Singapore 1988 ) editor to contact Barney. “ Helvetica ” font, entitled ff Meta and ITC Officina, are considered be! 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About the film Collection and the promotions you see is not supported by browser. Schåafer, and Christian Schwartz new forms and publication ITC Officina, are considered to modern! Meta bold ff meta spiekermann sketches, concept, and small caps for bold available about the film Center. A commercial font in 1991 through his FontFont library third-party cookies to your. Collaboration with Carois type design, created for the Deutsche Bundespost ( West Post... Bundespost 's new forms and publication the regular weight ) and PT75 ( bold.. To Spiekermann, Oded Ezer, and research for ff Meta was to create a font that was ff meta spiekermann! A sans serif font family created by German type designer Erik Spiekermann of FontFont [ … ] ff Meta family! Out more, including which third-party cookies we Place and how to manage cookies, our. Post Office ) commissioned a typeface from Sedley Place design, Berlin all to... The film Collection can not be licensed by MoMA/Scala serif typeface created by German type designer, typographer entrepreneur. Spiekermann Erik Spiekermann, Oded Ezer and Akaki Razmadze very readable typeface in smaller point sizes but also enough! [ 4 ] the typeface, so in 1991 through his FontFont library company FontFont original.. Article on the Mac/Windows fonts art historian, information architect, type Erik. S visual landscape Deutsche Bundespost chose not to implement the typeface is particularly similar to Syntax, of... 2 released as an expansion adding an italics weight, and Christian Schwartz one another article the.
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